Young sinatra album cover logic
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On “Contra,” he tames a ferocious trap beat, and he parries his way through “44 More” with a capable impression of beast-mode Kendrick.
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He stacks the tape with polished, dramatic productions and understands how to use his voice against them. He’s good at this stuff, though-much better at it than he is at preachy message rap. Especially for those who only know Logic from his PG singles, it’s deeply weird hearing the “I don’t wanna die” guy rap about crucifying pussy in that same innocent, puppy-dog voice. Once you’ve gone full Macklemore, you can’t walk all that sanctimony back. Yet while Logic is far from the first rapper to have it both ways-and far from the first rapper to put out a “mixtape” on a major label and have it available on all streaming platforms-his task is a particularly tall order. “I want some shit I can turn up.” It’s a wise moment of self-effacement that cleans the slate for Logic to actually get a little loose.īobby Tarantino II follows in the long tradition of a mixtape as a branding exercise, where artists try to shore up the love of die-hard fans and atone for the A&R-directed sins of their commercial albums, be they treacly R&B features or awkward EDM crossovers.
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“I’m not in the mood for a message about how I can be whatever I want or, like, oooohhh, equality,” Rick rants. On the mixtape’s opening sketch, Adult Swim’s Rick and Morty make a distinction between “Mixtape Logic” and “Album Logic,” while poking some light fun at the rapper’s more sanctimonious tendencies. So, on his boisterous, concertedly fun mixtape Bobby Tarantino II, Logic is out to prove he’s so more than just an advocate for entirely uncontroversial causes. But Logic also recognizes the danger in being typecast as the “suicide song” guy.